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On that same American sabbatical which gave rise to the fried clam remark, Amis's wife Hilly received an anonymous phone call. "You realise your husband's screwing every dame in Princeton?" said the woman. "Every one but you, evidently," replied Hilly, and hung up.
I know all this because I've just finished reading Zachary Leader's excellent biography of Amis which I mentioned in last week's post. It's a huge book, literally a doorstop, but constantly readable and seldom less than utterly gripping. Leader is a gifted author and the book is unlikely to be bettered soon, or indeed ever.
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What was particularly fascinating was the discussion of how Amis's childhood gave rise to the themes and subjects of his fiction. Often with biographies I'm tempted to skip past the early years and start in at the point where, say, Count Basie joins his first band. In this case I'm glad I'm resisted the temptation to forgo the early sections and dive in when, say, Amis began writing Lucky Jim. I would have missed a huge amount of valuable material.
Also eye opening was the discussion at the other end of Amis's life, of his final work. As I've said elsewhere Russian Hide and Seek is my least favourite Amis novel. I'd assumed the book marked the beginning of a terminal decline and that nothing after it would be worth reading.
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Also priceless are the excerpts from Amis's correspondence, particularly the letters to Philip Larkin and Robert Conquest, which are often convulsively funny. I am now tempted to get Zachary Leader's giant volume of The Letters of Kingsley Amis. Hell, the excerpts from Amis's poems are so beguiling I'm tempted to read some of the poetry.
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(Image credits: The book covers are from Good Reads. The shot with the wine bottle is from Mans-Womans. The photo of Kingsley with his cat is from the Observer Archive. The splendid caricature by Mark Waghorne is from the artist's own Caricatures Gallery, where you can buy signed prints.)
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